Sometimes, I just like to go to the Theater and not be a Vocal Pedagogist; in the theater I do not listen to the Singers' Vocal Problems, I just enjoy the Opera.
I also am one of those people who remember past performances, own the recordings, saw it live, and now listen on Saturday afternoon. The question: Is this good or bad.
Vocally, here was a Soprano who did not go into third and fourth gear very well. There were huge lines of demarcation, somewhat like going to McDonald's on Saturday night in my youth, and listen to a kid with new hot rod, shift badly. My knuckles hurt this afternoon and I may have to examine the Chippendale for claw marks.
Vibrato that is more than a quarter tone needs to be speeded up. This is possible and this was The Met. Notice this kind of vibrato does not record well and I hope that there is not a recording for sale.
Joan Dorneman is one of the most knowledgeable musicians in the world. She really knows the scores, backwards and forewords. I think she would be a great prompter in Europe, where the prompter directs the performance.
Which brings me to the question of the day, something I thought about after the Opera: If Verdi knew the age of his character, did he choose, desire, or want a singer of that age to perform his work? Example, a Father, in his forties, with a daughter, age 16, should the singer be in his forties or his sixties? Soprano character, age 16, sung by a forty year old Soprano? Did Verdi, Mozart, Puccini ever discuss this?
The Art of Singing Blog is part of the Lively Art of Conversation concerning Opera and Singing. We welcome your participation.
Saturday, December 11, 2004
Nightline Discusses La Scala, but Ignors Educational Responsibilities
Every Opera House and Orchestra should have an Outreach Program to Colleges, Libraries, and Public Schools. This should go on without saying.
The Lyirc Opera of Chicago has a very well developed Lecture Corps. The Lyric School is Education for young singers. Northwestern sees its community outreach responsibilities.
These things do not take millions of dollars, but rather a very well built communication system and a wonderful Corp of Volunteers.
The Lyirc Opera of Chicago has a very well developed Lecture Corps. The Lyric School is Education for young singers. Northwestern sees its community outreach responsibilities.
These things do not take millions of dollars, but rather a very well built communication system and a wonderful Corp of Volunteers.
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