Some are able to get a grant or award designed for  this
> juncture at a young singer's career when the choice between feeding  the  
> family and
> pursuing the career become serious issues. Sometimes important  talent  drops
> out at this point. The Richard Tucker Award and the Beverly Sills  award  come
> to mind as representatives of these kinds of awards to  particularly  promising
> young professionals.
Precisely. It always blows my mind when the naming of the Beverly  Sills Award 
recipient (which has been given 3 times so far, to Nathan  Gunn, Joyce Di 
Donato, and Matthew Polenzani) elicits an outcry here  of "But they already have 
it made! why can't it be given to a  deserving beginner??" These are precisely 
the people, those who have  shown they can deliver on their promise, who are now 
at a stage where  a monetary award like this can go far to offset the debt 
they've been  building up for years, and actually allow them some time 
relatively  free of financial apprehension. Even those who "have it made" can be 
  living surprisingly close to the edge for a long time. All those  "little" 
expenses add up hugely.
And some of them aren't even so little. Imagine paying for a month's  lodging in 
NYC or London, if you're doing a run of an opera there and  don't live in that 
city. As John said, we're not talking 5-star  hotels, but you can't really stay 
at Motel 6 either. (And all the  while, your expenses for your home-at-home 
continue.)
Jon Alan Conrad
 
 
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